In his debut work of nonfiction, award-winning poet Roger Reeves finds new meaning in silence, protest, fugitivity, freedom, and ecstasy. Braiding memoir, theory, and criticism, Reeves juxtaposes the images of an opera singer breaking a state-mandated silence curfew by singing out into the streets of Santiago, Chile, and a father teaching his daughter to laugh out loud at the planes dropping bombs on them in Aleppo, Syria. He describes the history of hush harbors—places where enslaved people could steal away to find silence and court ecstasy, to the side of their impossible conditions. In other essays, Reeves highlights a chapter in Toni Morrison’s Beloved to locate common purpose between Black and Indigenous peoples; he visits the McLeod Plantation, where some of the descendants of formerly enslaved people lived into the 1990s; and he explores his own family history, his learning to read closely through the Pentecostal church tradition, and his passing on reading as a pleasure, freedom, and solace to his daughter, who is frightened the police will gun them down.